![RICK TOONE 67.jpg](https://images.squarespace-cdn.com/content/v1/65234f5610672b4d4e542347/d9c64871-dc7e-4828-8885-7531e707296c/RICK+TOONE+67.jpg)
![RICK TOONE STRAT.jpg](https://images.squarespace-cdn.com/content/v1/65234f5610672b4d4e542347/57124682-74b6-4641-9d61-c5fd2ff1b9da/RICK+TOONE+STRAT.jpg)
![RICK TOONE TREMOLO.jpg](https://images.squarespace-cdn.com/content/v1/65234f5610672b4d4e542347/7fe8a137-6bcc-46ce-9fbc-fafc37f23b46/RICK+TOONE+TREMOLO.jpg)
![RICK TOONE STRAT TREM.jpg](https://images.squarespace-cdn.com/content/v1/65234f5610672b4d4e542347/953f66fd-ec8c-4c40-8b14-1a6a1fb5c009/RICK+TOONE+STRAT+TREM.jpg)
![RICK TOONE 67 GUITAR.jpg](https://images.squarespace-cdn.com/content/v1/65234f5610672b4d4e542347/1fffdcd5-9d3a-4155-90f2-25dc516f7bfa/RICK+TOONE+67+GUITAR.jpg)
“One of (if not the) most impressive features of the bridge is the fact that string bends do not detune the other strings. I think this is as important a selling feature as the in-tune pitch raise & lower design. The fact that a bridge with such a light touch can do this is practically a game-changer. It really needs to be highlighted.”
— Steve Blucher (DiMarzio)